ISABEL BOADEN

Cluster Exhibitor | Photography & Print Fair 2022

 
 

Hair Clips | 2021

 

Isabel Boaden is a photographer based in the North
of England. After graduating university during
the pandemic in 2021, she gained a Dean’s award
for Creative Practice as well as one of her images being on the cover of the graduate showcase. She uses portraiture, fashion, fine art, and self-portraiture to portray the male and female gaze as well as her experience
with objectification, feminism, societal standards
and the female body.

 
 
 

Egg Head | 2021

Flat Ironed Hair | 2021

 
 

Isabel’s attachment to unusual styles of visual art has aimed to create her own unique style of photography through self-portraiture.
A key influence of her work and photography style is Cindy Sherman who has been a major pioneer in her self-portraiture in portraying
stereotypes of women in a variety of ways.

Isabel is currently living and working in the north of England, while developing and creating new work.

 
 

Can I Take your coat | 2021

Bowl Stack | 2021

 
 
 

Untitled self portrait | 2021

Self-portraiture has portrayed women in various ways, as well as the female gaze heavily impacting how women are viewed by society and men in particular.

"Long Hair Don't Care" is a body of work from Isabel’s final major project at university. It explores the female body as a rejection of the objectifying gaze using domestic objects and performative self-portraiture. The use of props, colour and costume in these domesticated setups construct an idea of how the female body is viewed, the stereotypes tied to being a woman, and how they are considered objects to be looked at. The project challenges the gaze by hiding parts of the face with hair and engaging the viewer with the awkward and confrontation look from the female subject, while domestic tasks are performed. This comments on how by performing these daily tasks, that the subject doesn’t care who’s looking at her, giving back control over her own body. Hiding the subject’s face makes the anonymity of her more intriguing while removing the identity. The use of hair is a key component of this project, as it is a part of female identity, linked to the household objects used. Through use of performance, different props and objects, these signify how women are considered objects of desire.

 
 
 

Untitled portrait of Gabrielle | 2020