JULIE ZELDIN

Cluster Crafts Exhibitor | 2024

 

SHIP | 2024

In 2019, Julie discovered clay and the possibility of using this medium to draw in space. She studied on the City Lit Ceramics Diploma Course, graduating in 2023 , and has since exhibited in London and Spain. 

Setting up her studio in North London earlier this year, her practice encompasses sculpture and drawing, onto and into clay. 

Pieces are often collaged ceramics with additions of metal, glass and glazes, multiple firings, and include found and foraged materials. Methods include slip casting, hand building and thrown elements. Glazes are hand made and specific to each piece. Julie uses porcelain, stoneware and earthenware to explore texture, weight and density.

 

SIBLING | 2024

 

Julie Zeldin is an artist living and working in London. Julie’s work often references poems and novels as an underlying influence. An avid reader, stories are always present in her work, but sometimes are obscured. Her pieces evolve from drawing, and experiments with clay. 

The results are enigmatic, sculptural, and have a quiet intensity of experience which results in pieces which benefit from the long gaze of the viewer. Her work sits meditatively waiting for interaction, and the offer of a haptic experience. 

TRUTH | 2024

 
 

WIP

 

DRAWING IN THE FORM OF A BOWL | 2023

 
My response to what happens during the first firing informs how each piece is completed. I use different methods to make work; mould making, slip casting, saggar firing, breaking and selecting. Marks are made with brushes, glazes applied with my fingers or slip trailers. I use oxide washes, stains and glaze. I fuse things together, and take them apart, I deconstruct to re construct.
— Julie Zelda

DARE | 2024

 

BOOM

I use clay to process experience. Some pieces explore complexity, others restraint. It is this balance of activity and stillness which interests me. It feels like drawing in space.
Poetry, novels, and stories of all kinds have been the lens through which I view life. Words that have stayed with me are always present in my work, although they sometimes remain silent.
My work has enabled me to express my internal dissension between balance and complexity. I can speak , in my own way, about the fragility of experience that I have often seen written so beautifully.
Piece for the Wind 1962, Summer
‘Cut a painting up and let them be lost
in the wind’
Grapefruit. A book of Instructions and Drawings by Yoko Ono
— Julie Zeldin

CONSEQUENCES

 
 

CONTRAPPOSTO | 2024