“My work evolves around bodies, memories and movement. The vessels and scupltures sometimes look as if being suddenly frozen in the process of organic growth or melting and they might remind you of reptiles or soft skin. I like to balance between beauty and discomfort and I want my work to contain a certain amount of mess, made from beautiful materials.

It may seem that my objects are created spontaneously, but in fact I plan my work in the smallest detail.
It took me years to find the the right recipe and kiln temperature to get the bubbly glaze on that specific clay and I make very precise measurements of how the glass must melt to ensure that the result looks natural - as if the glass bulges out and belongs to its ceramic base, when in fact they are made completely separately by widely differing processes and techniques.

I am driven forward by constantly developing my craft language, often pushing the materials to their limit. I like to find unexpected meetings between different texture, materials and expressions. My vessels are a little bit too much, and they like it.”