LIV MANN TREMBLAY

Cluster Photography & Print Exhibitor | 2025

 
 

WHAT COLOUR IS SUMMER

Over the past decade, since becoming a mother, her work has brought her focus closer to home. In her most recent project, she creates abstract images that offer a visceral and immersive sense of connection to both the natural world and the self.

Liv is currently exhibiting at Manchester Waterside Arts Centre, UK, in Little Faces, Big Feelings, curated by Maria Reaney. Her work has received recognition, including 1st place in Institute Imago’s International Portrait Photography Awards (2020), an Honourable Mention in L.A. Photo Curator’s This Land is Your Land, curated by Dianne Yudelson (2021), and selection among the Top 40 Images by L.A. Photo Curator and N.Y. Photo Curator (2020). She was also shortlisted for the Taylor Wessing National Portrait Prize in 2011 and 2015. Her work has been exhibited internationally, from Japan to South Africa and Canada.

 

Liv Mann Tremblay is a British photographer based in Montréal, Canada. Her work is driven by storytelling and the belief that sharing our human experience enables us to better understand one another.

Following her degree in psychology, Liv studied photography at Photofusion London in 2003. She developed her practice through documentary storytelling projects for NGOs, including Coaching For Hope (South Africa), Medical Action Myanmar (Myanmar), and The Testimony Project (UK).

 

BLUE DISAPPEARING INTO GREEN

 

FLOATING TOGETHER

OF RAIN FALLING

ARTWORK AVAILABLE TO PURCHASE SOON

 
 
 

BREATH IN THE EARTH

The images transport us beyond the confines of our concrete-clad civilisation, bringing us back to the earth beneath our feet, the wind, and the wild.

Liv has always been motivated by the stories we tell and how they help us understand and connect with one another.

With time, this sensibility has evolved into creating work that fosters a deeper connection with both ourselves and the natural world.

More Than You Could Ever Know expresses a visceral and emotional experience of connection to nature and self, reminding us that to stop environmental destruction, we must first recognise that humans are just one part of a vast, organic whole.

 
 

LIKE FALLEN SOLDIERS

FIBBANACHI

 

"Things were separated out into neat categories and it has taken millennia to work out that we live in a web of intricately connected plants, fungi, conditions of weather, climate, terrain... that we are one thing."
— Laura Beatty, Looking for Theophrastus

In these images, nature takes precedence, and body and soul merge with the landscape.