REATILE MOALUSI
Cluster Photography & Print Exhibitor | 2025
INFANT THUSO
Rooted in the cultural dynamism of Johannesburg, South Africa, Reatile Moalusi’s photographic practice interrogates the socio-political landscapes of Africa and its diaspora. Educated at Tshwane University of Technology, he has honed a visual language that merges documentary realism with a deeply introspective approach, exploring themes of identity, skin tone, and systemic erasure.
Through the lens, he constructs narratives that transcend geography, provoking discourse on history, perception, and the fluidity of selfhood. His work challenges entrenched biases, offering a meditation on the nuances of representation in contemporary society. Inspired by the legacies of James Barnor, Zanele Muholi, and Malick Sidibé, he navigates the intersections of personal memory and collective history, engaging in a dialogue that is at once intimate and universal.
TEVIN FINNM FLAT LAY
SETCHABA MAMABOLO’S BEAR CHESTED
Each image is an invitation—an unflinching gaze into the complexities of belonging and the human condition. Beyond aesthetic composition, his photography is a call to action, urging audiences to dismantle preconceived notions and embrace the multiplicity of perspectives that shape the world. As he continues to expand his practice, he remains committed to storytelling that fosters empathy, disrupts indifference, and envisions new possibilities for seeing and understanding.
SETCHABA MAMABOLO’S THE NECK
“As a visual artist working in photography, creative direction, and sculpture, my image-making process celebrates the diversity of skin pigments as inherently beautiful. By exploring the perception of beauty and character portraiture, I reveal the nuances that shape a society rich in discourse.
My artistic journey is deeply rooted in the diverse narratives and socio-political landscapes of South Africa and its diaspora. Through photography, I undertake a profound exploration of societal complexities, bringing to light issues that are often relegated to the margins.”
BOITUMELO’S RAMETSI-CROWN
MOOSTAPHA HOLSTEIN PATTERNS