ROBERT REIMANN

Cluster Photography & Print Exhibitor | AI Showcase | 2025

 
 

(E)MERGING WITH THE DAWN

 

Robert Reimann (b. 1964) is an American designer and digital fine artist based in Boston. The son of an accomplished printmaker, Robert etched and inked his first intaglio plate at the age of eleven. His early experience with printmaking fostered a strong affinity for traditional graphic arts, a stylistic influence that continues to shape his digital work.

Robert’s love of digital media began three decades ago when he became a product designer for expressive algorithmic art tools. His traditional digital art graced the covers of various print and online magazines of that time. His current passion lies in exploring generative AI, employing a style that fuses the new and the traditional, the photographic and the graphic, the real and the surreal.

 
 
 

Robert’s recent work has been exhibited online and in galleries across the US, Canada, the UK, and Spain, and is featured in private collections in the US and Portugal. Selections from his project Currents of the Unconscious were recently published in Prompt Magazine #12, and he received a Special Recognition Award at the 2024 AI Design Awards for his synthographic image Desert of the Senses.

 

THICKETS OF THE MIND II

FORGOTTEN NARRATIVES III

 
In my work, I explore the inner landscape of the mind, expressed through the deformation of human physical forms. I incorporate mineral, biological, and architectural structures, blending textures, materials, and geometry to create striking visual metaphors for human psychological and emotional states.
— Robert Reimann
 
 

THICKETS OF THE MIND I

 
My artistic process begins as a collaboration with one or more diffusion models to explore psychological concepts and emotions within their latent spaces, using reference images from my photography and sketches as inspiration. As the model and I iterate on rough concepts, certain forms begin to resonate and crystallise. At this stage, I shift my focus to a deeper exploration of the emotions and mental states evoked by these early images, refining them further through additional images and text prompts. Finally, I use traditional digital tools to achieve the precise colour, lighting, clarity, and textural depth needed for the finished work. Some pieces take days, weeks, or even months to reach the highest level of compositional quality, detail, and emotional resonance.
— Robert Reimann
 
 
 
 

IDEOGENESIS III

IDEOGENESIS III